{"product_id":"a-life-behind-the-scenes-from-pinewood-to-hollywood-paperback","title":"A LIFE BEHIND THE SCENES: FROM PINEWOOD TO HOLLYWOOD (paperback)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1073786111 1 0 415 0;}\n@font-face\n\t{font-family:\"Avenir Book\";\n\tpanose-1:2 0 5 3 2 0 0 2 0 3;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-2147483473 1342185546 0 0 155 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Arial;\n\tpanose-1:2 11 6 4 2 2 2 2 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536859905 -1073711037 9 0 511 0;}\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:0 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:1;\n\tmso-generic-font-family:roman;\n\tmso-font-format:other;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 0 0 0 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1073786111 1 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003eDiscover the inside story of London-born producer Paul Hitchcock and his Hollywood blockbusters from the 1970s to the 2000s.\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003ePaul spent most of his childhood living outside London near Pinewood Studios. After one of his teachers suggested to Paul’s father that his son look for work there, Paul joined the studio as a junior in their Accounts Department. After he served his film apprenticeship between 1946 and 1962, he joined United Artists to work on five major productions. Later, he joined Paramount Pictures to oversee all international production, and then he served for over twenty years as Head of International Production for Warner Bros.\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003ePaul oversaw scores of movies ranging from \u003ci\u003eA Clockwork Orange\u003c\/i\u003e (1971), \u003ci\u003eBarry Lyndon\u003c\/i\u003e (1975), \u003ci\u003eOutland \u003c\/i\u003e(1981), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003eFirefox \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003e(1982), \u003ci\u003eGreystoke \u003c\/i\u003e(1984), \u003ci\u003eFull Metal Jacket \u003c\/i\u003e(1987)\u003ci\u003e, Empire Of The Sun \u003c\/i\u003e(1987)\u003ci\u003e, Gorillas In The Mist \u003c\/i\u003e(1988)\u003ci\u003e, Superman \u003c\/i\u003e(1978), \u003ci\u003eSuperman II \u003c\/i\u003e(1980)\u003ci\u003e, Little Shop of Horrors \u003c\/i\u003e(1986), and\u003ci\u003e Batman\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003e (1989).\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003eThere were also unproduced films, such as David Lean’s version of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003eThe Bounty\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003e and his ill-fated \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003eNostromo\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003e, and a multi-million-dollar biopic of Polish President Lech Wałęsa, which the studio believed would be the “next \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003eDriving Miss Daisy.”\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003eAs an independent producer and executive producer, he helmed \u003ci\u003eFirst Knight \u003c\/i\u003e(1995), \u003ci\u003eMission Impossible\u003c\/i\u003e (1996), \u003ci\u003eMission Impossible II\u003c\/i\u003e (2000), \u003ci\u003eThe Saint \u003c\/i\u003e(1997), \u003ci\u003eThe Man in the Iron Mask\u003c\/i\u003e (1998), \u003ci\u003ePhantom of the Opera\u003c\/i\u003e (2004), and \u003ci\u003eFred Claus\u003c\/i\u003e (2007).\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003eStanley Kubrick, Clint Eastwood, Richard Attenborough, David Lean, Richard Donner, Roman Polanski, Brian DePalma, and John Woo were just a few of the directors Paul worked with; Laurence Olivier, Robert Mitchum, Julie Andrews, Woody Allen, Michael Caine, Christopher Reeve, Sigourney Weaver, Harrison Ford, Sean Connery, Leonardo DiCaprio, Vince Vaughn, and Jack Nicholson were a few of the stars. In this candid memoir, Hitchcock pulls no punches about how some were a total delight, yet others were absolute nightmares!\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003eOver 100 photographs, including many personal behind the scenes shots from film sets, publicity images, and movie posters. Filmography. Index.\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003eAbout the author: Gareth Owen has authored twelve film-related books and biographies, including three with Sir Roger Moore. Gareth is based at Pinewood Studios. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-style: italic;\"\u003eFrom BBC Radio: \"Obviously the hardest is Kubrick\": Producer Paul Hitchcock and memories of directors he has worked with at Pinewood Studios  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":48919706665192,"sku":"ixv1787307943346","price":20.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/3991\/9848\/files\/a-life-behind-the-scenes-from-pinewood-to-hollywood-paperback_1.jpg?v=1787307950","url":"https:\/\/elitebagfashion.shop\/products\/a-life-behind-the-scenes-from-pinewood-to-hollywood-paperback","provider":"My Store","version":"1.0","type":"link"}